{"id":2,"date":"2023-11-27T09:41:06","date_gmt":"2023-11-27T09:41:06","guid":{"rendered":"https:\/\/robinsoncomposer.com\/?page_id=2"},"modified":"2026-01-25T03:20:51","modified_gmt":"2026-01-25T03:20:51","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/robinsoncomposer.com\/","title":{"rendered":"CV"},"content":{"rendered":"<div class=\"wp-block-jetpack-subscriptions__supports-newline is-style-split wp-block-jetpack-subscriptions\">\n\t\t<div>\n\t\t\t<div>\n\t\t\t\t<div>\n\t\t\t\t\t<p >\n\t\t\t\t\t\t<a href=\"https:\/\/robinsoncomposer.com\/?post_type=page&#038;p=2\" style=\"font-size: 16px;padding: 15px 23px 15px 23px;margin: 0; margin-left: 10px;border-radius: 0px;border-width: 1px; background-color: #113AF5; color: #FFFFFF; text-decoration: none; white-space: nowrap; margin-left: 0\">Subscribe<\/a>\n\t\t\t\t\t<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Biography<\/h1>\n\n\n\n<p>Joshua Robinson is a PhD candidate at the School of Music at the Australian National University. His research explores the development of intercultural collaboration on music for film, television, and video games, particularly in relation to Balinese and Javanese gamelan. He is particularly interested in improving current intercultural collaboration practices through pedagogical frameworks to improve the current power hierarchy of composers, musicians, and audiences. His research aims to improve intercultural relations and smooth tensions between collaborators. He has been an active member of the Balinese gamelan ensemble Sekar Langit since 2020 and has performed at the National Museum of Australia, the Canberra International Music Festival, and in association with the Canberra Symphony Orchestra. In addition to his research, he works as a research assistant in health humanities and as a casual lecturer at the Australian National University. He is also the production manager for the registered charity Pro Musica Inc., which aims to support emerging musicians and provide quality music events to the people of Canberra. He holds a double degree in Science and Music from the Australian National University.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83d\udcdc Articles<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;Cooking as Gastromusicological Inquiry.&#8221; <em>Gastroethnomusicology Journal<\/em> 1, no. 1 (2024)<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/drive.google.com\/drive\/folders\/12242k2dUjmSCmtFkiN5s76r_X6ZZKAPh?usp=share_link\" target=\"_blank\" rel=\"noreferrer noopener\">A bi-musical approach to composition: explorations of immersion in Balinese musical culture.<\/a>\u201d Honours thesis, Australian National University, 2021<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83c\udfa4&nbsp;Talks<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Beyond Bi-Musicality: Towards new frameworks for intercultural composition<\/em>, <em>CTRL+PLAY: Participation and Power in Popular Music Futures<\/em>, University of Otago, Dunedin, 10 December 2025<\/li>\n\n\n\n<li><em>Beyond Bi-Musicality: Towards new frameworks for intercultural composition<\/em>, Joint Conference of the New Zealand Musicological Society and the Musicological Society of Australia, University of Waikato, Hamilton, 29 November 2025<\/li>\n\n\n\n<li><em>(Non-)collaborative composition approaches for Balinese gamelan on screen and stage<\/em>, XXIII International Association for the Study of Popular Music Biennial International Conference, Sorbonne Nouvelle University, Paris, 10 July 2025<\/li>\n\n\n\n<li><em>Metamorphosing Intercultural Performance Practice: A New Framework<\/em>, International Federation of Theatre Research Conference 2025, University of Cologne, 10 June 2025<\/li>\n\n\n\n<li><em>The evolution of gamelan music<\/em>, School of Music Research Seminar, Australian National University, 7 May 2025<\/li>\n\n\n\n<li><em>Developing a framework for intercultural composition<\/em> <em>with applications to film, television, and video game scoring<\/em>, Constellations \u2014 2024 AHRC International Conference, Robinson College, University of Cambridge, 18 September 2024<\/li>\n\n\n\n<li><em>Beyond Bi-Musicality: New Approaches to Intercultural Music Composition<\/em>, School of Music Research Seminar, Australian National University, 16 May 2024<\/li>\n\n\n\n<li><em>Cooking as Musicological Inquiry<\/em>, 46th National Conference of the Musicological Society of Australia, University of Adelaide, 30 November 2023<\/li>\n\n\n\n<li><em>St Kilda to St Moritz<\/em> <em>(Panel Discussion)<\/em>, National Film and Sound Archive, 13 October 2023 <\/li>\n\n\n\n<li><em>CASS<\/em>&nbsp;<em>Honours Induction Event (Panel Discussion)<\/em>, Australian National University, 22 February 2023<\/li>\n\n\n\n<li><em>A bi-musical approach to composition: Explorations of immersion in Balinese musical culture<\/em>, 45th National Conference of the Musicological Society of Australia, Online, 2 December 2022<\/li>\n\n\n\n<li><em>Mental Health Month Workshop<\/em>, Mathematical Sciences Institute Australian National University, 31 October 2022<\/li>\n\n\n\n<li><em>New Sounds | Old Films (Panel Discussion)<\/em>, National Film and Sound Archive, 24 September 2022<\/li>\n\n\n\n<li><em>A bi-musical approach to composition: Explorations of immersion in Balinese musical culture<\/em>, School of Music Research Seminar, Australian National University, 12 May 2022<\/li>\n\n\n\n<li><em>A bi-musical approach to composition: Explorations of immersion in Balinese musical culture<\/em>, BruceX, Australian National University, 13 September 2021<\/li>\n\n\n\n<li><em>How temp scores limit creativity in film scoring<\/em>, BruceX, Australian National University, 25 March 2019<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83c\udfeb&nbsp;Teaching<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2025 Semester 2 \u2014 <em>Music and Globalisation<\/em> (tutor for topic: Music and Tourism in Bali)<\/li>\n\n\n\n<li>2025 Semester 1 \u2014 <em>Popular Music Studies<\/em> (guest lecturer for two weeks)<\/li>\n\n\n\n<li>2024 Semester 1 \u2014 <em>Introduction to Ethnomusicology<\/em> (guest lecture:<em> Intercultural Gamelan Music<\/em>)<\/li>\n\n\n\n<li>2023 Semester 2 \u2014&nbsp;<em>Writing About Music 2<\/em>&nbsp;(lecturer and tutor)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83c\udfac&nbsp;Credits<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2023 \u2014 <em>St Kilda to St Moritz: Scoring Silent Old Movies<\/em>, Composer<\/li>\n\n\n\n<li>2022 \u2014&nbsp;<em>New Sounds | Old Films: Composing New Corricks Film Scores<\/em>, Composer<\/li>\n\n\n\n<li>2022 \u2014&nbsp;<em>Sockratic Justice<\/em>, Executive Producer<\/li>\n\n\n\n<li>2021 \u2014&nbsp;<em>The Fifth Camper<\/em>, Composer<\/li>\n\n\n\n<li>2020 \u2014&nbsp;<em>Hats Enough<\/em>, Composer<\/li>\n\n\n\n<li>2020 \u2014&nbsp;<em>Cognominal<\/em>, Composer<\/li>\n\n\n\n<li>2019 \u2014 <em>The Resistible Rise of Arturo Ui<\/em>, Music Director and Composer<\/li>\n\n\n\n<li>2019 \u2014 <em>Unmasked<\/em>, Composer<\/li>\n\n\n\n<li>2018 \u2014 <em>Noises Off!<\/em>, Music Director and Composer<\/li>\n\n\n\n<li>2018 \u2014 <em>Fish Fingers<\/em>, Composer<\/li>\n\n\n\n<li>2018 \u2014 <em>Three Strikes<\/em>, Composer<\/li>\n\n\n\n<li>2017 \u2014 <em>Kill Me, Deadly<\/em>, Music Director and Composer<\/li>\n\n\n\n<li>2017 \u2014 <em>The \u2018It List<\/em>, Composer<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83c\udfc6&nbsp;Awards, Grants, Fellowships<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2025 \u2014 Australian National University Vice-Chancellor&#8217;s HDR Travel Grant (AUD1500)<\/li>\n\n\n\n<li>2024 \u2014 AHRC OOC DTP ANU HDR Conference Scholarship (AUD3000)<\/li>\n\n\n\n<li>2018 \u2014 ANU ANZCA Composition Prize (Second Year) (AUD500)<\/li>\n\n\n\n<li>2018 \u2014 Screen Canberra Travel Grant (AUD1000)<\/li>\n\n\n\n<li>2018 \u2014 Invited Attendee, Thessaloniki International Film Festival<\/li>\n\n\n\n<li>2018 \u2014 Friends of the School of Music Student Grant (AUD3200)<\/li>\n\n\n\n<li>2018 \u2014 Invited Participant, Fusion Film Scoring Workshops<\/li>\n\n\n\n<li>2016 \u2014 3rd Place, Queensland Conservatorium\u2019s SCORE IT! Competition<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83c\udfad&nbsp;Performances<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2023, November 26 \u2014 KITA Block Party, Kita Restaurant, Canberra<\/li>\n\n\n\n<li>2023, November 19 \u2014 AIYA Cultural Showcase, Embassy of the Republic of Indonesia, Canberra<\/li>\n\n\n\n<li>2023, May 13 \u2014 Feared and Revered: Tapestry of Cultures Family Festival, National Museum of Australia, Canberra<\/li>\n\n\n\n<li>2022, December 6 \u2014 Diplomatic Reception, National Press Club, Canberra<\/li>\n\n\n\n<li>2022, September 17 \u2014&nbsp;<a href=\"https:\/\/youtu.be\/0VFaR2yPB_U\" target=\"_blank\" rel=\"noreferrer noopener\">Indonesia Update<\/a>, ANU, Canberra<\/li>\n\n\n\n<li>2022, July 26 \u2014 Bruce Hall (ANU), Canberra<\/li>\n\n\n\n<li>2022, May 24 \u2014&nbsp;<a href=\"https:\/\/cso.org.au\/event\/rediscovering-music-2022-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rediscovering the Gamelan Orchestra (CSO)<\/a>, Hellenic Club, Canberra<\/li>\n\n\n\n<li>2022, April 30 \u2014&nbsp;<a href=\"https:\/\/youtu.be\/bWYeYm1E0cU\" target=\"_blank\" rel=\"noreferrer noopener\">CIMF@Belco<\/a>, Belconnen Arts Centre, Canberra<\/li>\n\n\n\n<li>2021, May 28 \u2014&nbsp;<a href=\"https:\/\/kemlu.go.id\/canberra\/en\/news\/13426\/kbri-canberra-padukan-diplomasi-pertahanan-dengan-promosi-perdagangan-dan-budaya-ri\" target=\"_blank\" rel=\"noreferrer noopener\">Defence Attach\u00e9 Dinner<\/a>, Embassy of the Republic of Indonesia, Canberra<\/li>\n\n\n\n<li>2017, October 27 \u2014 Embassy of the Republic of Indonesia, Canberra<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83d\udc68\ud83c\udffb\u200d\ud83d\udcbb Work experience<\/h1>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Multiple Production \/ Artist Roles<\/h2>\n\n\n\n<p>Canberra International Music Festival, Canberra<em>: 2017<\/em> \u2014<\/p>\n\n\n\n<p>I worked multiple roles at a major Canberra music festival, and changed positions within the company from year-to-year depending on where I was needed most. These roles included production assistance, being a stage hand, artist coordination, venue management, and surtitle operation. In 2024, I became the production manager of the festival, overseeing all logistical components and ensuring we operated within budget.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Research Assistant<\/h2>\n\n\n\n<p>Project Title: Developing Transdisciplinary Health Humanities Education at the ANU <br>Australian National University, Canberra: <em>May 2024 \u2014<\/em><\/p>\n\n\n\n<p>Worked as a research assistant on a project to develop health humanities courses at ANU. The team was transdisciplinary, working between music and psychology. My role included data extraction and analysis, interviews, and general administrative tasks. The goal of the project is to create two new transdiciplinary health humanities courses at ANU to begin in late 2025 or 2026.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jazz Band Director<\/h2>\n\n\n\n<p>ANU Music Society, Canberra: <em>February 2024 \u2014 June 2024<\/em><\/p>\n\n\n\n<p>Conducted and directed the jazz band of a community music group. In this role I was responsible for choosing appropriate repertoire suitable for the playing ability of the band, conducting rehearsals, and managing dynamics within the band. Our performance at the end of semester concert was described as a favourite by many of the audience members in comparison with the other groups. I made sure to choose a variety of repertoire, from jazz standards to modern film scores, and I communicated information about these pieces to the audience, going beyond a simple recital.  <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Administrative Officer (Marketing, Conferences, and Events)<\/h2>\n\n\n\n<p>Australian National University, Canberra<em> \u2014 Jan 2022 \u2014 Feb 2023<\/em><\/p>\n\n\n\n<p>Organised events, conferences, and research activities for the Mathematical Sciences Institute at ANU, including outreach events aimed at school-children. I also worked on internal projects such as improving work health and safety, mental health initiatives, and improving the diversity of the institute.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Community Coordinator<\/h2>\n\n\n\n<p>Australian National University, <em>Canberra \u2014 Dec 2020 \u2014 Dec 2021<\/em><\/p>\n\n\n\n<p>Managed the pastoral care team at a residential college at the ANU. I was on-call every other week, and assisted with escalating emergency incidents, including calling emergency services where appropriate. I also did some community building, focussing on fostering connections between residents.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Music Director<\/h2>\n\n\n\n<p>Bruce Hall (ANU)<em>, Canberra \u2014 2017 \u2014 2021<\/em><\/p>\n\n\n\n<p>Composed, conducted, and recorded numerous original scores (totalling 150 minutes) for student films and theatre productions<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Choir Director<\/h2>\n\n\n\n<p>Bruce Hall (ANU)<em>, Canberra \u2014 2019<\/em><\/p>\n\n\n\n<p>Was the co-director of a community choir with tasks involving conducting, singing, and choosing repertoire for the choir. We had 5 performances in 2019, and placed first in the inter-hall competition.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83d\udee0 Skills<\/h1>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\ud83d\udcbb Technology<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Microsoft Suite<\/h3>\n\n\n\n<p>I am proficient in the Microsoft Suite, including using power automate to automate basic administrative tasks to ease my workflow.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dorico and Logic Pro X<\/h3>\n\n\n\n<p>I use these programs to compose and produce my music.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">LaTeX and Zettlr<\/h3>\n\n\n\n<p>I use these programs to write.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">\ud83d\udde3 Languages<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">English<\/h3>\n\n\n\n<p>Native speaker<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Indonesian<\/h3>\n\n\n\n<p>B1 Level<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">German<\/h3>\n\n\n\n<p>Intermediate speaker, learned for 8 years in school<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">\ud83d\udcda Education<\/h1>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PhD&nbsp;in Music<\/h2>\n\n\n\n<p>Thesis title: <em>Beyond Bi-Musicality: Towards an ethical framework for intercultural composition<\/em><\/p>\n\n\n\n<p><em>2023<\/em> \u2014<\/p>\n\n\n\n<p>ANU &#8211; Canberra<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bachelor of Music (Honours)<\/h2>\n\n\n\n<p>First Class Honours awarded<\/p>\n\n\n\n<p><em>2021<\/em><\/p>\n\n\n\n<p>ANU &#8211; Canberra<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bachelor of Music \/ Bachelor of Science<\/h2>\n\n\n\n<p>Majors: Composition, Mathematics. Minors: Ethnomusicology, Computer Science<\/p>\n\n\n\n<p><em>2017 \u2014 2020<\/em><\/p>\n\n\n\n<p>ANU &#8211; Canberra<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Biography Joshua Robinson is a PhD candidate at the School of Music at the Australian National University. His research explores the development of intercultural collaboration on music for film, television, and video games, particularly in relation to Balinese and Javanese gamelan. He is particularly interested in improving current intercultural collaboration practices through pedagogical frameworks to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":5,"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":273,"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/273"}],"wp:attachment":[{"href":"https:\/\/robinsoncomposer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}